Last night, Genesis filled the HP Pavilion in San Jose with their unique sound, ranging from old classics to (relatively) new hits, with a stage that dazzled, humorous anecdotes and some intriguing depth. It was one of those occasions where the audience all felt at home, led by Phil Collins, Tony Banks, Mike Rutherford, Chester Thompson and Daryl Streumer. Over the past couple of years, I've been going to see all of the classic rock masters I can, and Genesis - as would be expected - did not disappoint.
Wikipedia describes them well, noting that they "incorporate complex song structures and elaborate instrumentation." I wouldn't send a Britney Spears fan to a Genesis concert, at least not without the proper introduction. While they have excellent melodies and simple themes in some songs, the richness of their music lies much deeper. Genesis has a bit of magic in the space of their songs, for a split second when they all stop playing, before they enter back in unison, following another glistening theme through to where one wouldn't necessarily expect the music to go. In that space, and then again when they change time signatures and reposition themselves, is brilliance.
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